The Organic Globalizer: Hip Hop, Political Development, and by Christopher Malone

By Christopher Malone

The natural Globalizer is a set of severe essays which takes the placement that hip-hop holds political value via an knowing of its skill to immediately increase cultural expertise, extend civil society's specialize in social and monetary justice via establishment development, and have interaction in political activism and participation. jointly, the essays assert hip hop's significance as an "organic globalizer:" regardless of its pervasiveness or succeed in world wide, hip-hop eventually is still a grassroots phenomenon that's born of the neighborhood from which it permeates. Hip hop, then, holds promise via 3 separate yet similar avenues: (1) via cultural expertise and identification/recognition of voices of marginalized groups via track and paintings; (2) via social production and the institutionalization of self sufficient replacement associations and non-profit organisations in civil society aimed at social and financial justice; and (3) via political activism and participation during which calls for are articulated and made at the state.

With editorial bridges among chapters and an emphasis on interdisciplinary and various views, The natural Globalizer is the typical scholarly evolution within the dialog approximately hip-hop and politics.

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Extra resources for The Organic Globalizer: Hip Hop, Political Development, and Movement Culture

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He explains, “For many, keepin’ it real means not disassociating oneself from the community from which one came—the street. Moreover, it means emphasizing one’s ties to the community” (1999: 142). If one is not from the streets or is financially stable, one risks losing authenticity. Rappers attack others who are not a part of this authentic space. “Keeping it real” implies leaving out those who are not black, urban poor, and male. Authenticity is an exclusive identity, one that is hard to penetrate and hard to keep.

Mtafuta-Ukweli, Zizwe. 2014. html (accessed February 22, 2014). Osamare, Halifu. 2012. The Hiplife in Ghana: West African Indigenization of Hip-Hop. New York: Palgrave Macmillan. Potter, Russell A. html (accessed February 22, 2014). Rose, Tricia. 1994. Black Noise: Rap Music and Black Culture in Contemporary America. Hanover, NH: Wesleyan Press. —2008. The Hip Hop Wars: What We Talk About When We Talk About Hip Hop—and Why It Matters. New York: Basic Civitas Books. Roug, Louise. February 24, 2008.

This is especially clear in lyrics and videos where women are portrayed as selling their bodies (either literally or figuratively) to have their material needs taken care of by a successful man. This research builds upon what is known as “sexual scripting,” which focuses on how culture shapes the perception and expression of appropriate and normative sexual behavior (Ross and Coleman 2011: 158). Ross and Coleman argue that No church in the wild 23 hip hop contains the message that it is acceptable to be a “Video Girl,” a woman who uses sexuality as a means to gain access and success in the entertainment industry (2011: 160).

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