By Dorothy E. Smith
'A an important publication for feminists, for sociology and the hot "political anthropological historic school". It informs us how we're otherwise "situated" in and during social relatives, which texts and photographs mediate, organise and construct.' Philip Corrigan, Professor of utilized Sociology, Exeter college Dorothy E. Smith is Professor of Sociology in schooling, Ontario Institute for experiences in schooling, Toronto. She is the writer of the standard global as complicated: A Feminist Sociology.
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Additional resources for Texts, Facts and Femininity: Exploring the Relations of Ruling
I. type behavior, I suggest that this indeterminacy be placed at the heart of the problem. The institution of mental illness, its conceptual organization, forms of social action, authorized actors and sites, and so forth, are concerned precisely with creating an order, a coherence, at those points where members of a community have been unable or unwilling to find it in the behavior of a particular individual. This suggests a rule for assembling this collection which says that ‘for this collection, find that there is no rule’.
The construction of a fact involves displaying that it is the same for anyone and that their recognition of it as a fact is based on direct observation, is constrained by the nature of the event itself and is not determined by a hearsay construction. 2 The following structure establishes a succession of independent witnesses. A series of steps can be identified, defined by the addition of one person to the circle of those who recognize or know that something is wrong: (a) at lines 24–33, Angela alone; (b) at lines 34–38, Angela and Trudi; (c) at lines 58–78, Angela, Trudi, and Angela’s mother; (d) at lines 130–48, Angela, Trudi, Angela’s mother, and Betty; Texts, facts, and femininity 24 (e) at lines 152–8, Angela, Trudi, Angela’s mother, Betty, and a woman friend of the family.
Introducing new characters as members of circles of friendship would generate quite a different order. The items I have referred to above are present merely as parts of the connecting machinery of the story; it is the order of witnessing that occupies the foreground. 3 This structure makes possible the treatment of each additional witness as independent of the others. The judgement of each is based on direct observation or by inference an opportunity for such observation: (a) Angela: in the course of ordinary interpersonal encounters with K, her admiration changes to bafflement; K is mentally ill: the anatomy of a factual account 25 (b) Trudi looks over one of K’s essays and comments afterwards, ‘She writes like a 12 year old.