Michele Arnaboldi Architect (English and Italian Edition) by Michele Arnaboldi

By Michele Arnaboldi

Michele Arnaboldi, an architect from Ticino, who has labored for Luigi Snozzi, between others, based his personal company in Locarno in 1995. He has made his attractiveness chiefly with residential structure. He did, even if, additionally allure consciousness whilst his layout in collaboration with Raffaele Cavadini received the overseas festival for the layout of the Expo 2000 grounds in Hanover. This quantity records thirty-five of Arnaboldi s tasks, basically apartments in Switzerland and Italy but additionally public structures corresponding to the recent cultural middle in Lugano, the activities middle in Tenero, los angeles Carit?  sanatorium in Locarno, and the pavilion for the Locarno movie pageant. essays and an interview with Michele Arnaboldi supply deeper perception into his perspective towards layout.

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Laforma-e questo il punto decisivononviene semplicemente determinata 0 addirittura "derivata"dallageometria, ma e intesa e interpretata anche come parte di una "general conception of lite", come riferimento alia natura, da cui-e dai cui componenti - nasce I'architettura. Questa specificaqualita dellaforma e immediatamente percepibile inAmaboldi quando, per esempio nelle CaseRegli@, percorriamo il corridoio che distribuisce una successione regolare di ambienti e sempre da capo attraversiamo con 10 sguardo i singoli compartimenti spaziali, definiti da volumi netti, sconfinando nelgiardino situato difronte.

A questo proposito non possiamofare a meno di pensare aile case giapponesi. Arnaboldi lascia trapelare la sua ammirazione per I'architettura nipponica solo marginalmente, su richiesta. "Katsura" rappresenta anche per lui un termine magico, oltre che un punto di riferimento nel suo percorso di perfezionamento dellaformaarchitettonica moderna. E anche questo ha la sua storia. Non un e caso che gli esponenti del "secondo Movimento Moderno" impegnati a elaborare la loro "recent history of hystory" abbiano riconosciuto il significato- antico- dell'architetturagiapponese.

La composizione degli spazi, la loro chiarezza distributiva, i rnateriali e la luce di queste architetture emanano una serenita raccolta e domesticache ci riappacifica con la culturadi oggi. Eevidentecome a montedi questo linguaggio sia filtrata la cultura figurativa ed artistica del xx secolo; Ie avanguardie, i maestri, Iegrandi dispute ideologiche e Ie loro poetiche hanno saputo resistere aile recenti contraddizioni generate dalla globalizzazione e riproporsi quali model Ii di riferimento incui possiamo identificarci.

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