Elements: Volume 1 (Digital painting tutorial series) by 3DTotal.com

By 3DTotal.com

The weather: V1 e-book is a 70-page consultant to second electronic portray and will be in such a lot software program applications that aid paintbrushes and layers. inside this downloadable PDF e-book we have now selected one of the most time-honored points of electronic portray and requested or 3 expert artists to hide a particular subject or “element”, leading to or 3 diverse kinds and methods that may be considered facet through side.
In the 1st quantity of the weather booklet sequence, we hide such themes as portray eyes, textile, fireplace and smoke, flesh wounds, and fur and hair, with the aid of such proficient and skilled artist as Benita Winckler, Natascha Roeoesli, Richard Tilbury, Stephanie Loftis, Adonihs and Shane Madden.

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Additional info for Elements: Volume 1 (Digital painting tutorial series)

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Add a Define Brush Preset and name the brush. colour to it like red or blue to either warm it up Personally I like to repeat these steps a couple or cool it down. Also blonde is never yellow. Use times in order to have a variety of brushes to light browns instead and adjust the tint, shade make the hair more random. Before using the and hue accordingly. Hair is 3 dimensional. That brushes we need to make sure a few settings is not to say that we are not going to render are selected. First thing, because we are using each hair with highlights and shadows, but the a tablet I would prefer my pressure to not control whole bulk of the hair should have lots of depth.

We need to start to bring up form. I like to start with the hi-lights first. The only thing that I would suggest is to make separate layers for both hi-lights and darks, on top of your mid-tone layer with the highlights being on the very top. Reason being, shadows never cross over light areas. Use the custom brushes that you created to create the hi-lights. Hi-lights are what really define the colour of the hair, but use them sparingly; too much makes the hair look very unnatural. We want to let the eye create strands without us having to render them.

Make sure your opacity is low (just to make the record, when doing smoke; make sure the opacity is ALWAYS low) and start to dab the orange softly onto the smoke layer. You should be able to make the smoke turn from a pasty white, to a white-orange mist. Smoke – Step 5 (smoke 5) This part I started to cut around the smoke, breaking it down so it doesn’t get too thick. I used my custom smoke tool as an eraser and started to slowly just itch away at the smoke. You should turn down the flow and opacity at 45% when erasing, and just dab at it.

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